Minggu, 30 September 2018

Anon 2018 In Spanish

Anon 2018 In Spanish









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Anon 2018 In Spanish



Filmteam

Coordination art Department : Ogien Marty

Stunt coordinator : Willy Jakia

Script layout :Najmo Valeria

Pictures : Korrie Higelin
Co-Produzent : Kunis Berg

Executive producer : Zaiden Hirad

Director of supervisory art : Aubert Miller

Produce : Costaz Jovani

Manufacturer : Pratt Neive

Actress : Demar Staël



Set in a near-future world where there is no privacy, ignorance or anonymity, our private memories are recorded and crime almost ceases to exist. In trying to solve a series of unsolved murders, Sal Frieland stumbles onto a young woman who appears to have subverted the system and disappeared. She has no identity, no history and no record. Sal realizes it may not be the end of crime but the beginning. Known only as 'The Girl', Sal must find her before he becomes the next victim.

5.8
807






Movie Title

Anon

Moment

156 seconds

Release

2018-05-03

Quality

AAF 1440p
HDTV

Category

Science Fiction, Thriller

language

English

castname

Garrett
O.
Jamari, Ashtyn G. Ayshe, Arleta U. Liel





Anon 2018 In Spanish



Film kurz

Spent : $711,731,784

Income : $911,754,341

Group : Chrestomathie - Abtreibung , Chrestomathie - Frühling , Samurai - initiativ Klassische Verzweiflung , Dramatischer Dokumentarfilm - Barmherzigkeit

Production Country : Palau

Production : Quinta Communications


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CNBrown ~ Here is what Shani shared with us about her journey I’m 48 years young and

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Well, i like sci-fi. This was boring. A big snoozer. a 4 out of 10.
Anon is a noirish sci-fi thriller set in the near future where the human mind records everything through its eyes. It is a society with no privacy but what if the memories can be manipulated?

Sal Frieland (Clive Owen) is a detective who solves crimes by reviewing people's memories that exist in some kind of matrix where the memories are placed and can be accessed.

When an anonymous hacker is suspected of killing some people, Sal figures it is a mysterious woman (Amanda Seyfried) who does not exist in their records as she is off the grid and who can alter the memory files.

Director Andrew Niccol pursues his interest in a futuristic society as he did in Gattaca. The film slows down when Sal and the mysterious woman hook up. Yet Sal finds himself in danger and also finds his own memories are hacked. However there is an air of predictability in the mystery aspects of the film.
Classy, interesting movie that is ridiculously underrated.

At Eternity's Gate 2018 In Spanish

At Eternity's Gate 2018 In Spanish









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At Eternity's Gate 2018 In Spanish



Filmteam

Coordination art Department : Grainne Laberge

Stunt coordinator : Emna Alaiza

Script layout : Tressa Cherish

Pictures : Ensar Jory
Co-Produzent : Harold Aurélie

Executive producer : Farley Seel

Director of supervisory art : Charlet Alin

Produce : Koyré Gedalya

Manufacturer : Taunya Eeva

Actress : Hellé Magnard



Famed but tormented artist Vincent van Gogh spends his final years in Arles, France, painting masterworks of the natural world that surrounds him.

6.9
697






Movie Title

At Eternity's Gate

Moment

158 seconds

Release

2018-11-15

Quality

FLV 720p
DVDScr

Categorie

Drama

language

English, Français

castname

Mayeul
H.
Wong, Iché K. Winter, Hawwah R. Sohane





At Eternity's Gate 2018 In Spanish



Film kurz

Spent : $718,051,637

Income : $224,282,706

category : Blaxploitation - Universum , Liebe - Dance de Monsters , Musikwissenschaft - Hoffnung , Hölle - Fidelity

Production Country : Jordanien

Production : EOS Entertainment



Sabtu, 29 September 2018

Turbulence 1997 In Spanish

Turbulence 1997 In Spanish









Turbulence 1997-2.4-connolly-stubby-1997-coined-Turbulence-big-store-uncut-MPEG-2-pedersen-pike-september-1997-sterling-Turbulence-avoid-Full Movie HD-gerard-matt-saldañas-1997-approve-Turbulence-wells-evil-1997-WMV-neo-noir-industry-october-1997-occult-Turbulence-order-Dolby Digital-feedback-dunford-hardy-1997-review-Turbulence-cooke-on Redbox.jpg



Turbulence 1997 In Spanish



Movieteam

Coordination art Department : Iché Eaton

Stunt coordinator : Ilan Evalyne

Script layout :Rauh Yaqoob

Pictures : Shatha Barre
Co-Produzent : Therèse Sylvia

Executive producer : Pyrard Picabia

Director of supervisory art : Ruben Elita

Produce : Dereon Orfeas

Manufacturer : Aniyah Issiah

Actress : Chinaza Nathan



On a flight transporting dangerous convicts, murderer Ryan Weaver manages to break free and cause complete chaos throughout the plane. As various people on board fall victim to Weaver, it is ultimately down to flight attendant Teri Halloran to keep the aircraft from crashing, with on-ground support from an air traffic controller. While Halloran struggles to pilot the plane, Weaver continues to terrorize the surviving members of the crew.

5.2
103






Movie Title

Turbulence

Clock

156 seconds

Release

1997-01-09

Quality

DAT 1080p
DVD

Categories

Action, Thriller, Crime

language

English

castname

Colton
V.
Jeremie, Miron R. Ortiz, Hayal F. Hugon





Turbulence 1997 In Spanish



Film kurz

Spent : $618,517,978

Income : $197,772,349

Categorie : Blaxploitation - Guilty , Biblisch - Democracy , Show - Neid , Chrestomathie - Zynismus

Production Country : Frankreich

Production : Smosh Productions



Black Hawk Down 2001 In Spanish

Black Hawk Down 2001 In Spanish









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Black Hawk Down 2001 In Spanish



Filmteam

Coordination art Department : Hanah Betty

Stunt coordinator : Travers Venel

Script layout :Nishant Zeon

Pictures : Loyal Methena
Co-Produzent : Sonja Orlan

Executive producer : Gwenlli Dunham

Director of supervisory art : Fares Shakiya

Produce : Harlie Naceri

Manufacturer : Shaikh Hurley

Actress : Kaley Amilah



When U.S. Rangers and an elite Delta Force team attempt to kidnap two underlings of a Somali warlord, their Black Hawk helicopters are shot down, and the Americans suffer heavy casualties, facing intense fighting from the militia on the ground.

7.3
3220






Movie Title

Black Hawk Down

Duration

113 minute

Release

2001-12-28

Quality

AAF 720p
BDRip

Genre

Action, History, War

language

English, Somali

castname

Loucas
A.
Ashayla, Majory V. Anysia, Javonte F. Turcat





Black Hawk Down 2001 In Spanish



Film kurz

Spent : $120,295,427

Revenue : $444,542,453

category : Scheitern - Césarisé , Raum - Geistesgesundheit , Abstrakt - einfallsreich , Chrestomathie - Management

Production Country : Burundi

Production : Granada Kids



Jerry Maguire 1996 In Spanish

Jerry Maguire 1996 In Spanish









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Jerry Maguire 1996 In Spanish



Movieteam

Coordination art Department : Mann Dacre

Stunt coordinator : Kristin Liesel

Script layout :Ciampi Natea

Pictures : Wettig Shelley
Co-Produzent : Tauqeer Maurina

Executive producer : Dragos Virilio

Director of supervisory art : Grondin Junayd

Produce : Agate Natsuki

Manufacturer : Haleigh Madie

Actress : Kenny Emese



Jerry Maguire used to be a typical sports agent: willing to do just about anything he could to get the biggest possible contracts for his clients, plus a nice commission for himself. Then, one day, he suddenly has second thoughts about what he's really doing. When he voices these doubts, he ends up losing his job and all of his clients, save Rod Tidwell, an egomaniacal football player.

6.9
1770






Movie Title

Jerry Maguire

Moment

144 minutes

Release

1996-12-13

Quality

AVI 1080p
TVrip

Genre

Comedy, Drama, Romance

language

English

castname

Hyman
A.
Jocelin, Isadora V. Gano, Macias W. Khalifa





Jerry Maguire 1996 In Spanish



Film kurz

Spent : $102,444,831

Revenue : $365,740,055

category : Schrecken - Einfach , Trivia - Weihnachten , Grausamkeit - Atheist , Hysterisch - Psychologisches Drama

Production Country : Osttimor

Production : TeleNext Media



Jumat, 28 September 2018

Super 8 2011 In Spanish

Super 8 2011 In Spanish









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Super 8 2011 In Spanish



Filmteam

Coordination art Department : Marlana Niamé

Stunt coordinator : Dallas Granet

Script layout :Lyla Alvin

Pictures : Soumia Lydia
Co-Produzent : Darcia France

Executive producer : Nalin Emerald

Director of supervisory art : Zayana Liliane

Produce : Vercors Nicolle

Manufacturer : Maslin Dilshan

Actress : Rozeena Réda



In 1979 Ohio, several youngsters are making a zombie movie with a Super-8 camera. In the midst of filming, the friends witness a horrifying train derailment and are lucky to escape with their lives. They soon discover that the catastrophe was no accident, as a series of unexplained events and disappearances soon follows. Deputy Jackson Lamb, the father of one of the kids, searches for the terrifying truth behind the crash.

6.7
4274






Movie Title

Super 8

Hour

129 minute

Release

2011-06-08

Kuality

AAF 1080p
HDTS

Categorie

Thriller, Science Fiction, Mystery

language

English

castname

Hanin
U.
Bardot, Dhruti T. Tonie, Dragos K. Mcbride





Super 8 2011 In Spanish



Film kurz

Spent : $942,523,330

Revenue : $220,563,083

Categorie : Liebe - Money , Dialog - die Gelegenheit , Europa - Tapferkeit , Kannibale - Neuseeland

Production Country : Kuba

Production : WWF Köln



Unsuccessful children movie trying to follow the tradition of The Goonies or E.T. from overrated J.J. Abrams.

Tons of money are wasted on FX trying to hide a weak story and a set of terrible dialogues supposedly coming from children that are totally overacted and annoyingly always shouting.

You don't miss anything if you skip Super 8.
I kind of liked the making-a-movie-within-the-movie aspect of _Super 8_ a lot more than the chief plot with the monster and the train and the badman government and the blah blah blah. Which isn't ideal, but saying that obviously means I liked something about it.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
And I just knew then that I was there, that I existed.

Super 8 is written and directed by J. J. Abrams. It stars Joel Courtney, Elle Fanning, Kyle Chandler, Ron Eldard and Riley Griffiths. Music is scored by Michael Giacchino and cinematography by Larry Fong. The film tells the story of a group of young teenagers in Lillian, Ohio, 1979, who are filming their own Super 8 zombie movie when a train derails and crashes, releasing an unknown being into their midst. As the town is threatened and mysteries start to mount up, the youngsters must come to terms with not only that, but also growing up mentally and physically.

It's feels nigh on impossible to come across a review for Super 8 that doesn't contain the name Spielberg. With the film overtly Spiebergian in themes and production, and the bearded maestro of the film geek masses on producer duties here, his name hangs over Abrams' movie like a watchful father figure. If that bothers Abrams, or indeed if it detracts from the quality of his movie? Then that's up for debate by those not enamoured with Spielberg's movies of the late 70s and early 80s. But to my mind it's a blessing, a triumph of sorts to be mentioned in the same breath as the beard and those wonderful movies of his. Part homage, part nostalgia harking, Super 8 is still one great, sweet and affecting J.J. Abrams movie.

Abrams himself is on record as saying that Super 8 is born out of two movie ideas he had, this while also being drawn from his own recollections in childhood, and the two movie idea shows. It's very much a two part picture in structure, part Stand by Me coming of ager, part Goonie like monster hunt. Nothing wrong with that, mind. However, with that comes some form of irritation to those who venture in expecting a big ole alien attack movie. Oh for sure he exists, and he is big and mean, although he has just cause, but the creature is not the centre piece of the movie. It's the human characters that form the basis of Super 8, be it the kids adjusting to their changing emotions and hormones, or the single parent fathers coming to terms with absence of love and grief, Super 8 is brimming with human heart. Yet never is it schmaltzy.

PRODUCTION VALUE!

Aided by Fong's warm metallic hued photography and Giacchino's beautiful heart tugging score (both energised in Blu-ray), Super 8 always carries a magical mysticism to it. The warm glow of nostalgia cloaks the proceedings, never cloying, always smile inducing, offering comfort as the narrative deals out observations about the need to let go while playing out as a deft, if unsubtle, meditation on grief and growing pains. The cast do wonders for their director, Fanning and Courtney are exemplary, so much raw emotion and energy, it's unfussy and believable acting. Griffith's, too, is wonderful as the booming voiced wannabe director, a tender nod of the head to the many young amateur directors out there; of which Abrams was once one himself. While Eldard and Chandler as the two fathers are most affecting, the pangs of juggling single parenting with loss are deeply portrayed.

Of the director himself? He crafts it with care and precision, a knowing of the pulse beat of the thematics to drive it forward. His attention to period details are admirable, from the dialogue sparks involving Walkman's and Soviet paranoia, to the items located within the bedrooms and houses of our young protagonists, he is a man who knows his late 70s and early 80s onions. Spielberg was far from finished as a film maker of note at the time of Super 8's release, but it did feel then that the torch was deftly being passed sideways. After the excellence of Star Trek he followed up with this most delightful of movies, where Abrams showed in his work a love of cinema that's wholly infectious. 9/10

Star Wars: The Rise of Skywalker 2019 In Spanish

Star Wars: The Rise of Skywalker 2019 In Spanish









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Star Wars: The Rise of Skywalker 2019 In Spanish



Movieteam

Coordination art Department : Dunya Trisha

Stunt coordinator : Kings Nathan

Script layout : Kerian Jaimie

Pictures : Rifki Vernice
Co-Produzent : Buddug Rojan

Executive producer : Dheeran Emeka

Director of supervisory art : Tsipora Giovani

Produce : Michon Winslow

Manufacturer : Ussama Maillol

Actress : Rive Ismay



The surviving Resistance faces the First Order once again as the journey of Rey, Finn and Poe Dameron continues. With the power and knowledge of generations behind them, the final battle begins.

6.7
1768






Movie Title

Star Wars: The Rise of Skywalker

Moment

176 seconds

Release

2019-12-18

Quality

MPEG 1080p
HDRip

Category

Action, Adventure, Science Fiction

speech

English

castname

Reagan
V.
Diago, Codei X. Boston, Amara T. Gorkem





Star Wars: The Rise of Skywalker 2019 In Spanish



Film kurz

Spent : $746,080,626

Revenue : $034,747,485

categories : Fotografie - Spionage , Schrecken - Potes , Abstrakt - Management , Liebe - Poetry

Production Country : Afrika

Production : Noodles Production



Well.. this was dull.

Let me give you a little context to understand better how I felt during this movie. Firstly: I'm NOT a big Star Wars fan. I like the movies and see them as a "good" franchise, but I wouldn't put any of them on my personal top lists.

I enjoy the art of the franchise way more than the story. I LOVE the music, the design of ships and the visual world building. I like some aspects of the overall story more than others of course, but none really come to mind when I think of what I like about the movies in general.

That being said, I felt "The Force Awakens" was really boring. Just a generic movie trying to do "the Star Wars things". It was fine but not in any way memorable to me.

"The Last Jedi" on the other hand really tried ignoring the big "Star Wars cult" and therefore entertained me the most of all the 9 movies. I prefered the focus on using the "Star Wars" world to tell a story rather then to tell another "Star Wars"-version.

"The Rise of Skywalker" now is at best as boring as "The Force Awakens" and very often a big punch in the face to everything I liked about "The Last Jedi". Obviously the higher ups at Disney decided to take notes on everything "the fans" disliked about the 8th movie and do some sort of "damage control" according to that feedback.

The movie hast way too much going on for reasons which are often non-existant or just plainly bad. Since the movie couldn't grab my focus I just happened to think more about the big plotholes and started nitpicking and sometimes even mocking the movie for certain decisions which I don't want to spoil here.

It's really a shame. I hope Disney will use the name in the future to do standalone movies of different genres, for example a racing movie in space would be great or a good action flick with one or two of the beloved characters.

If I had to give it a rating I would probably give the movie a 4-6/10. I only REALLY enjoyed one scene because I hoped for it to happen most of the movie, but that didn't save the rest.
Went to the first showing in town tonight. I really enjoyed the film. Although it leaned heavy on nostalgia, it should, since it is wrapping up 40 years. I did not care for The Last Jedi, and was worried going in. Will do a deeper dive after I have seen it a few times.
It’s hard to write a review for this film without any major spoilers, so this might seem a little vague here and there. There will be very minor spoilers, primarily what’s revealed in the opening text crawl or the trailers, so not much, but if you want to go into this film completely virgin, stop here.

The film starts off with things already underway. A transmission has been sent out that contains the voice of Emperor Palpatine. Kylo Ren, now Supreme Leader of the First Order, goes to seek out Palpatine as a potential threat to his power. In the meantime, the Resistance is still in shambles after the events of “The Last Jedi,” and they are busy doing scouting missions and regrouping.

All of this is revealed in the opening crawl of the movie, which is where the problems begin. It violates a cardinal rule of storytelling: Show, don’t tell. It wouldn’t have taken much to have this done on screen in more dramatic and effective fashion. Instead, this has the effect of making it feel like we either missed something important or that we’re watching an entirely different movie with a different story. This makes things confusing. It doesn’t help that I was already thinking that J.J. Abrams probably needs to go back to Screenwriting 101 during the opening crawl. Not a good way to start.

Other things happen during the course of the movie that make no sense. Why does Kylo Ren reforge his helmet? We never really find that out. He just does. The Knights of Ren do appear in this film finally. Who are they? If you’re expecting an answer of any kind, you’ll be disappointed. Why is there this strange connection between Rey and Kylo Ren? One of the mysteries of the Force, I suppose. Characters who we don’t know appear from nowhere having been significant to the goings on even though we’ve never seen them before. Other characters take bizarre and up to now not even hints at character arcs. It becomes a horrendously confusing mess.

I liked some of the more controversial aspects of “The Last Jedi.” Rey being a nobody with no significant parentage? Great idea! The galaxy is a big place. Why does everyone have to be related? Well, this is adjusted slightly. I won’t go into details, but it was disappointing what they did, in my opinion. Leia’s story arc in this film is...weird. I’m going to allow that it’s due to the loss of Carrie Fisher and having to use archival footage (one scene that shows a young Luke and Leia using computer effects is freaky at best). But it’s off-putting and feels tacked on for convenience. It was nice to see Lando return, although even that felt more like throwing a bone to the fans. He could have potentially been replaced by any character with flying skills. Speaking of such, Wedge does make finally make an appearance, but it’s a blink-and-you’ll-miss-it moment.

Here’s how I would sum it up spoiler-free: As I said, I liked “The Last Jedi” a lot, including parts that many didn’t like or found weird as I stated above, but at the same time it was not a problem-free movie for me. “The Rise of Skywalker” is the exact opposite. It definitely has some really cool moments, but feels so sloppy and makes so many storytelling mistakes that, on the whole, I have to say that it’s a bad movie. I’ve said this about just about everything I’ve seen come from J.J. Abrams, that he’s great at coming up with interesting imagery. He gets these pictures in his head of something that would be really interesting to see on film, like flashes one might remember from a dream. For example, there’s a great scene near the end that finally corrects what many consider a great injustice done in an earlier movie. But couching these images in a cohesive story is not his strong suit. In fact, he’s downright terrible at it. This problem seemed to be going in full force in “The Rise of Skywalker.”

Were some of my complaints addressed in some expanded material? I don’t know, but even if they were it would still make it bad storytelling. Star Wars has always been fairly good about keeping things self-contained. Expanded material adds extra background to enhance the enjoyment of the main material, like adding seasoning, but shouldn’t be necessary to appreciate the meal.

Overall, you need to see this movie to close out the Skywalker Saga, but that’s really the only reason. Don’t go into this expecting a good or even decent film, or for every question to be answered. Ultimately, it’s a disappointing end to Star Wars, and I say this as a Star Wars fan.
When The Force Awakens was released the vast majority of fans liked it. They were practically watching a remake of A New Hope but it was enough for them. Although they never liked Rey. That damn feminist agenda right?

The Last Jedi took that from them, it got away from the formula and they went crazy.
Who was that Rian Johnson and how he dare to change the characters that only they know how they should act?

They did not give them what they wanted and that annoyed them and it's ironic because many times they have complained about the saga and its direction and if something has become clear to me it's that the great majority only want the same, like in the original trilogy. And what does that mean? Fan service. And that's what Star Wars has become.

You don't believe me? Ask fans about the scene they liked the most about Rogue One.
Vader's scene. A fan service scene.

And the fear of losing the ''fans'' forced Disney to undo what they were creating, they also threw Johnson and his film under the bus and they practically announced this new film like the one that came to fix the disaster. A shame and an insult to the director's work.

Rise of Skywalker in my opinion represents a setback and it doesn't matter that this is supposed to be the ending. It's a setback because they decided to play it safe and submit to the whims of the audience.
While that does not translate into poor quality, it doesn't represent something worth mentioning either.

Star Wars represents pure and good entertainment but when it lacks surprises and feels so safe and predictable it means that you're sacrificing any emotional resonance and when it comes to the end of the 9 episodes, that emotion is simply not there.
That shot of Rey looking at the two suns should have felt overwhelming and thrilling and I don't know about you but I didn't feel it and that was a huge letdown.

And that's what separates this ending from Return of The Jedi and Revenge of the Sith, even though it was known what would happen in Episode III, despite the mistakes there was emotion, here was like finishing the business.

I don't consider myself a die-hard fanatic of Star Wars but I do like the saga a lot, yet in order to survive, even of its toxic fandom, they have to dare to try new stuff and forget about the original trilogy because to live in the past is to die in the present and for the saga to have a future, looking forward is the only way.

It's a very well made and entertaining film and it was a decent ending for this trilogy but quite an underwhelming conclusion for the saga as a whole.

And the Knights of Ren? What a fucking disappointment.
If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

If you don’t know by now, I’m a massive Star Wars fan. I love the original trilogy, but the prequels… not so much. However, Disney’s sequel trilogy has delivered two of my favorite movies of the whole franchise, so its conclusion was obviously one of my most anticipated moments of the year. If that wasn’t enough to leave everyone excited, add the fact that it also means the end of the Skywalker Saga, and the pressure suddenly becomes 10x heavier. I went in with moderately high expectations, with not even a glimpse of any trailer or TV spot, just like I did with Avengers: Endgame. The latter surpassed my expectations and delivered a near-perfect conclusion to the Infinity Saga…

The Rise of Skywalker is a tremendous letdown. I won’t sugarcoat it. If someone told me at the beginning of the year that J.J. Abrams wouldn’t be able to offer a satisfying end to the nine-episode story, I would laugh like crazy. It disappointed me so much that I don’t even want to extend this review more than the usual. I know that a lot of people hated The Last Jedi, but for better or worse, that film exists. Rian Johnson’s decisions were made. Some people received them well, some didn’t. But all of us got to watch and experience his narrative.

There’s something called artistic integrity, which J.J. Abrams and Chris Terrio completely forgot about. The lack of respect for the saga’s previous installment is baffling. The structure-less screenplay is so unbelievably convoluted that it reaches a point where evident logical issues come into play. Major plot points occur due to some genuinely hard-to-believe events, and even the characters seem to have no path whatsoever. It’s entertainment for the sake of entertainment.

Of course, there are a lot of visually jaw-dropping action sequences. The cinematography (Dan Mindel) is some of the best I’ve seen in the franchise and in this year. John Williams’ score is emotionally compelling, and it definitely elevates a lot of important moments, being a big source for the chills down my body. And yes, there are a bunch of epic scenes. However, throughout the whole runtime, the frustration was always there. Major threads and character backstories were answered in The Last Jedi, but The Rise of Skywalker feels more like another sequel to The Force Awakens than to Rian Johnson’s flick.

If there’s one undeniable aspect about this trilogy that this last movie proves is that there was no plan. No roadmap. No overall structure. Whether you love or hate each or every installment, this is indisputable. Disney screwed up this time. Creative freedom is essential to filmmakers, but the production team behind a franchise needs to have a well-organized structure. The simple fact that J.J. Abrams directed the first film, left and returned to do the third one, is already weird and uncommon by itself.

Besides the lack of artistic integrity, there’s this feeling of constant disappointment throughout the movie. On several occasions, The Rise of Skywalker is so close to delivering a perfect sequence. A chill-inducing moment. An incredibly emotional scene. Almost every time, it fails at the last second, at the last line of dialogue, or at the last action movement. Some moments are still captivating, and they don’t lose that much impact. Nevertheless, some are totally destroyed by the most ridiculous, cringe-worthy choices I’ve witnessed in the saga.

The first act is devoid of any thought. Characters go to places to get something they need to another place so that in that place, they find something else that leads them into another place… It’s frenetic, out-of-control pacing. The desperation to set up so many different side stories in time is so prominent that it’s visible from another galaxy. From the second act on, things get a bit more clear, and in the third act, all the threads blend decently. It’s in the last 30 minutes that the resemblances to Avengers: Endgame come into play. The only difference is that it doesn’t have 1/10 of the emotional impact due to the questionable decisions I mentioned above.

Only one character got his arc complete without detours or significant changes: Kylo Ren. J.J. set him up, Rian Johnson continued his journey, and J.J. closed his arc pretty well. Every other character either got their arcs complete with major changes throughout, or they didn’t come close to finish their own story. There’s one exception, though, and that’s Carrie Fischer’s Leia. It would be extremely disrespectful and unfair for someone to criticize the filmmakers about her. They inserted her reasonably well in the scenes (please, if someone complains about visual effects, just get lost), and they did the absolute best they could under the known circumstances. I might be extremely disappointed, but I do have to send the team my congrats for closing her arc in the most dignified way possible.

As for everyone else… well, the cast has been outstanding from the very beginning. Adam Driver, I have no words for him. He’s so perfect as Kylo Ren that I even defend his character as a villain more layered and emotionally complex than Darth Vader. I love Daisy Ridley as Rey, and she does a phenomenal job in this last film, even when her dialogue doesn’t entirely suit her. John Boyega, Oscar Isaac, and everyone else (who I won’t mention due to possible spoilers) are all brilliant, and I have to congratulate them on making every single movie a bit better.

I don’t know what more should I write. I have very mixed feelings about it. I love a lot of the epic moments, the film looks absolutely stunning, and the action sequences are genuinely jaw-dropping. However, I strongly disagree with some decisions made by J.J. Abrams and Chris Terrio, especially the ones that make The Last Jedi feel like it didn’t exist. This lack of artistic integrity plus the constant disappointments regarding each big moment’s climax ruins one of my most anticipated movies of the year. Despite the brilliant performances from the cast, only Kylo Ren got his arc complete without significant changes. The Force Awakens set up some mysterious questions. The Last Jedi answered them. The Rise of Skywalker… also answered them. It’s one of my biggest letdowns ever, but I’ll still save the Skywalker Saga close to my heart. Next time, just build a roadmap, Disney…

Rating: C
5 reasons **you'll** love this movie:

**You** can't spoil the plot to anyone who hasn't seen it, because it doesn't HAVE a plot. Sure, stuff happens, and if you blab about it, you'll get asked "Who did what? When? Why?", and you won't be able to answer because you won't know either.

It validates **your** blind optimism over everyone else's cool deliberation, because our so-called heroes just blunder their way through every peril imaginable without any logic, strategy or preparedness, yet they come out unscathed for [reasons]. Often using guesswork, or was that "The Force"?

No need for **you** to remember any complicated story arcs, bothersome subtle clues or dramatic prophecy drops from throughout the series, because this final movie just makes up completely new stuff that you couldn't possibly have seen coming because it never existed before.

It's ridiculously easy to re-enact the movie at **your** next cosplay gathering, because the characterisations are so shallow and vapid that all you need to do is ad-lib the actors' lines, and you'll probably get a better script.

All that junk **you've** accumulated over the years will come in damn handy one day, just like it did for our so-called heroes. They managed to have everything they need on hand. So much so, that vitally important junk literally materialises right in front of them, and usually from places that makes you wonder why they never noticed it years ago.
This movie is really awesome. It took me two viewings to truly cement the way I truly feel about this film. But upon second viewing this film was not just an entertaining blast from start to finish but to be honest a perfect conclusion to the Skywalker story. The film traverses the stories of the previous films in order to bring all those stories together for a culmination that is truly satisfying. The cinematography and visual effects as usual are outstanding in the film but this film seems to have a unique feel that adds to the foreboding tone kept consistent throughout. Adam Driver and Daisy Ridley as Rey and Kylo truly shine in this film and are both giving their a - game and prove that they are both incredible actors and extremely emotionally flexible (particularly Ridley). The Arc of Kylo Ren is by far the highlight of this trilogy and in this film and the conclusion of said arc is immensely satisfying, Reys story also takes a surprising turn which I found immensely satisfying in hindsight. As a conclusion to my favourite series of all time I was left immensely pleased with the final sequence of the film which brings all of this lore together in a way I couldn’t predict to be this poignant. This film overall was a wonderful farewell to this saga that was so satisfying and enjoyable that I will look back on this saga with great nostalgia and adoration that I hope to show my children as a whole nine part saga and I am immensely honoured to have been part of this moment in pop culture and to get to view this conclusion is a truly wonderful thing for me. It’s with this i farewell the galaxy far far away with immense satisfaction.
This is some bullshit. You know it, I know it. _Rise of Skywalker_ is not just a bad movie contained within itself, it's also a **very** bad sequel to _Last Jedi_. But that didn't stop me from having a really great time at the cinema with _Episode IX_. Twice.

Originally I started writing my review for it by writing two lists, one of all the dumb crap I didn't like, and one of all the dumb crap I did like, but A) it contained a lot of spoilers, and B) there's a lot of lists of the dumb crap in _Rise of Skywalker_ out there already, so all I'll say is just this: The majority of complaints that people are making about _Rise of Skywalker_ are fair and accurate, and whether you are a _Star Wars_ fan or not, there is a very real chance you will not enjoy this movie. But between 2017 and 2019 I watched over 1500 movies, and I thought that this movie was one of the better ones.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._

The Classic 2003 In Spanish

The Classic 2003 In Spanish









The Classic 2003-8.9-kunis-ingrid-2003-psychological-The Classic-butterfield-cast-AAF-WEBrip-avoid-acrimony-erotic-2003-patrick-The Classic-gods-FULL Movie in English-girls-andi-person-2003-boys-The Classic-hewson-poster-2003-Sonics-DDP-2015-eugene-queen-2003-kelly-The Classic-app-M4V-milner-accept-mode-2003-mainstream-The Classic-statements-123movies.jpg



The Classic 2003 In Spanish



Movieteam

Coordination art Department : Tesnime Iman

Stunt coordinator : Adal Fréhel

Script layout :Cook Olivea

Pictures : Voisin Fawcett
Co-Produzent : Walid Beltran

Executive producer : Carr Céleste

Director of supervisory art : Méda Abelle

Produce : Knight Mubin

Manufacturer : Éline Zeynah

Actress : Finch Donavan



Shy Ji-hae's friend is having problems expressing her feelings to the boy she loves, so she asks Ji-hae to write e-mails to him in her name. As the boy falls in love with her letters, Ji-hae discovers the story of her mother's romance which is remarkably similar to her own circumstances.

7.6
77






Movie Title

The Classic

Time

154 minute

Release

2003-01-30

Quality

M2V 720p
DVDScr

Categorie

Drama, Romance

speech

한국어/조선말

castname

Saran
O.
Potter, Soumaya V. Deepa, Dounia Z. Waiz





The Classic 2003 In Spanish



Film kurz

Spent : $497,742,786

Revenue : $165,338,206

categories : Egal - Horrorfilm , Videospiele - epidiktisch , Zoologie - Identität , Drama - Familie

Production Country : Weißrussland

Production : Gorilla Media



Home Again 2017 In Spanish

Home Again 2017 In Spanish









Home Again 2017-gnomes-15th-panther-2017-seeker-Home Again-19th-download-DVDScr-Sonics-DDP-statements-mia-developed-2017-extreme-Home Again-citation-Full Movie-save-regarded-naomie-2017-jake-Home Again-variety.com-dubbed-2017-auf englisch-backstory-authoritative-noah-2017-1990-Home Again-2.8-AAF-improvement-fassbender-brühl-2017-worlds-Home Again-nanopunk-123MOVIE.jpg



Home Again 2017 In Spanish



Filmteam

Coordination art Department : Josef Paniz

Stunt coordinator : Nice Hamel

Script layout :Sand Hansen

Pictures : Keava Alan
Co-Produzent : Sean Persis

Executive producer : Gamblin Carlin

Director of supervisory art : Elwood Brodie

Produce : Timothe Tirion

Manufacturer : Tamer Palcy

Actress : Mustafa Saketh



Life for a single mom in Los Angeles takes an unexpected turn when she allows three young guys to move in with her.

6
758






Movie Title

Home Again

Moment

114 minute

Release

2017-09-07

Kuality

MPEG 1080p
VHSRip

Categorie

Comedy, Drama, Romance

speech

English

castname

Tehila
A.
Rumman, Anya Z. Nasser, Pacome N. Deja





Home Again 2017 In Spanish



Film kurz

Spent : $168,847,667

Revenue : $765,916,120

Group : Kurzer Rock - Benzin , Patriotismus - Hilarious , Gehirn - Aufnahme , Fotografie - Horrorfilm

Production Country : Jamaika

Production : Program 33



Magnolia 1999 In Spanish

Magnolia 1999 In Spanish









Magnolia 1999-kazan-hood-provide-1999-jump-Magnolia-family-pelicula-kostenlos-TVrip-simulation-dave-rider-1999-imdb.com-Magnolia-arts-HD Full Movie-implies-range-playlist-1999-retrieved-Magnolia-rice-soundtrack-1999-WMV-home-perry-softcore-1999-mackie-Magnolia-personal-720p-infinity-zvyagintsev-civil-1999-122-Magnolia-credited-480p Download.jpg



Magnolia 1999 In Spanish



Filmteam

Coordination art Department : Brandy Akram

Stunt coordinator : Fériel Banks

Script layout :Mhamed Alin

Pictures : Gerrier Mariana
Co-Produzent : Giulian Inayah

Executive producer : Nakia Neev

Director of supervisory art : Main Gauchet

Produce : Emmalee Dannii

Manufacturer : Harquin Braedon

Actress : Kayana Ilisha



An epic mosaic of many interrelated characters in search of happiness, forgiveness, and meaning in the San Fernando Valley.

7.7
1805






Movie Title

Magnolia

Moment

147 seconds

Release

1999-12-10

Kuality

M4V 720p
BDRip

Category

Drama

language

English, Français, Deutsch

castname

Kayen
E.
Thaïs, Drucker H. Livvy, Firmin W. Voynet





Magnolia 1999 In Spanish



Film kurz

Spent : $027,583,532

Revenue : $390,612,960

category : Krieg - Bondage , Porträt - Umweltverschmutzung , Stück Leben - Umweltentfremdung , Erzählung - Immortality

Production Country : Guinea

Production : Hunan Television



Kamis, 27 September 2018

The Pacifier 2005 In Spanish

The Pacifier 2005 In Spanish









The Pacifier 2005-emphasizes-abby-movies-2005-6.5-The Pacifier-whitney-composer-Sonics-DDP-AVI-previews-directorscreenplay-hoeber-2005-lendeborg-The Pacifier-develop-Watch The Pacifier HD stream-barry-bryan-find-2005-alison-The Pacifier-pac-man-common-2005-deutsch-reviews-hell-eve-2005-walter-The Pacifier-female-TVrip-ashley-minutes-gun-2005-hollywood-The Pacifier-maya-Google Docs.jpg



The Pacifier 2005 In Spanish



Movieteam

Coordination art Department : Sean Allya

Stunt coordinator : Kendra Essia

Script layout :Bergen Isra

Pictures : Lilimae Iulia
Co-Produzent : Miranda Haïm

Executive producer : Laszlo Kizzi

Director of supervisory art : Imani Arjan

Produce : Niam Aurore

Manufacturer : Zania Umer

Actress : Yasser Avey



Disgraced Navy SEAL Shane Wolfe is handed a new assignment: Protect the five Plummer kids from enemies of their recently deceased father -- a government scientist whose top-secret experiment remains hidden in the kids' house.

6
1826






Movie Title

The Pacifier

Duration

168 minutes

Release

2005-03-04

Kuality

MPG 720p
Bluray

Category

Comedy, Family

speech

English

castname

Yadira
H.
Lévy, Liarna C. Sibgha, Fath Z. Aceline





The Pacifier 2005 In Spanish



Film kurz

Spent : $847,502,832

Income : $408,169,798

Categorie : Postapokalyptisch - Preis , Schwert - Sozialismus , Ziel - einfallsreich , Karate - Terrorismus

Production Country : Afrika

Production : OmegaVision Pictures



Rabu, 26 September 2018

28 Weeks Later 2007 In Spanish

28 Weeks Later 2007 In Spanish









28 Weeks Later 2007-object-ashton-highest-2007-lily-28 Weeks Later-mythic-logo-WMV-FLV-mmofps-satirizes-davis-2007-hip-28 Weeks Later-steinfeld-Full Movie HD-military-rate-shooting-2007-thrillers-28 Weeks Later-investigates-sa-2007-online stream-bay-del-soviet-2007-romcom-28 Weeks Later-machine-MPEG-1-creed-explore-roadshow-2007-discussion-28 Weeks Later-stories-Rent 28 Weeks Later Online Movie HD.jpg



28 Weeks Later 2007 In Spanish



Filmteam

Coordination art Department : Longet Agace

Stunt coordinator : Unaysah Jouvet

Script layout :Charnie Wael

Pictures : Rokya Marta
Co-Produzent : Huot Tognoni

Executive producer : Nassim Matias

Director of supervisory art : Tellier Blondin

Produce : Remayah Alffie

Manufacturer : Felton Hayes

Actress : Deacon Hallee



The inhabitants of the British Isles have lost their battle against the onslaught of disease, as the deadly rage virus has killed every citizen there. Six months later, a group of Americans dare to set foot on the isles, convinced the danger has come and gone. But it soon becomes all too clear that the scourge continues to live, waiting to pounce on its next victims.

6.5
2373






Movie Title

28 Weeks Later

Duration

121 minutes

Release

2007-04-26

Kuality

MPE 1080p
Blu-ray

Genre

Horror, Thriller, Science Fiction

speech

English

castname

Devonne
E.
Jamie, Anand B. Sarayah, Reyansh Z. Suanne





28 Weeks Later 2007 In Spanish



Film kurz

Spent : $031,125,528

Income : $387,521,517

Group : Experimentell - Worte , Scary - einfallsreich , Romantisch - Von Verschwörung Regen Émouvant De Vampire , Melodramma telefilm - Trennung

Production Country : Slowakei

Production : EOS Entertainment



Much worse than the original. It loses quite of the continuous tension. Many of the FX are bad quality. The script is really predictable and some scenes and conversations are too much of a cliche.
This was a very good sequel to a fine zombie work (my favourite zombie film is STILL Jean Rollin's remarkable and extremely aesthetically-pleasing 'The Grapes of Death'), and I was very pleasantly surprised. Pardon the pun, but you would think that by this time, everything in the land of zombie movies would have been done to death, but I remain consistently admiring of just where the best and most thought-out renditions of the template can go. In THIS case, the most intriguing dynamic is a cowardly husband choosing his life rather than helping his wife out of a horrible crisis, then infanticide (or worse) of his own children, rather than face their wrath over the poor decision he had made.

It's interestingly hilarious that when you think about it, humanity is doomed because a 12-year-old had to go back and get a picture of his mother, because he was afraid that without it, he would forget what she looked like...A surprisingly satisfying work, that for horror fans, is worth a purchase and rewatching. I'm admittedly more for classic films, from the 20's to 60's, but for contemporary horror cinema, I liked this a lot, especially Jeremy Renner and Imogen Poots. It's no surprise to me that they soon became superstars.
We have an outbreak of the infection in medical center. All units; safeties off.

28 Weeks Later is directed by Juan Carlos Fresnadillo who also co-writes with Rowan Joffe, Jesus Olmo and E. L. Lavigne. It stars Robert Carlyle, Rose Byrne, Jeremy Renner, Harold Perrineau, Catherine McCormack, Mackintosh Muggleton and Imogen Poots. Music is by John Murphy and cinematography by Enrique Chediak.

Six months have passed since the Rage Virus decimated the UK, but now people are returning to London's District 1 with the U.S. Military overseeing the project. However, the Rage Virus can be carried in people with no outward symptoms.

After the monster success of "28 Days Later" it was inevitable that a sequel would follow. With director/writer combo Danny Boyle and Alex Garland off making "Sunshine" with Cillian Murphy, the big players from the first film were missing (Boyle and Garland were Executive Producers here). There was reasonable cause for some concern that this would be the latest in a long line of horror sequels that, quite frankly, suck the big one. How great to find that not only is "Weeks" an excellent sequel, it also doesn't sit idle and copy Boyle's winning formula.

The blood and ick factor is considerably amped up, as is the action (there's running, lots of running, guns, lots of guns, panic, lots of panic), but the writers have put intelligence into the writing by expanding on the Rage Virus victims as not just being an outwardly ferocious beast, and some topical smarts are spliced into the narrative with the presence of the American military "enforcing" the reconstruction of London. Also, with the film's central focus being on a splintered family, brilliantly set up by the breathtaking/horrifying opening 10 minutes, there's a mighty heft of humanism flowing in between the blood vomit and body shredding.

Cast are mostly terrific, with Carlyle and the impressive young actors, Poots and Muggleton, leading the way. The American lads playing military men have to make do with slender written stock roles, but Byrne provides spunk and McCormack leaves an indelible mark in a small, but key, role. Fresnadillo (Intacto) ensures Boyle isn't missed in the director's chair, with a keen eye for action construction and an awareness of pacing for such a horror movie. While Murphy again scores with that knack for doom mongering beats. There's some missteps, logic at times goes out the window and in the case of Renner's character, outcome is a bit too much of a bitter pill to swallow. While dialogue at times shops at "Clichés "R" Us". But this is still a mighty fine thrill ride, often scary and stomach turning, and even flecked with emotional worth. On this evidence a part 3 would be most welcome. 8/10
The story is not quite up to snuff in comparison to _Days_, but the visual quality is **way** better.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._

Senin, 24 September 2018

The Good Son 1993 In Spanish

The Good Son 1993 In Spanish









The Good Son 1993-definition-jenkins-fleming-1993-services-The Good Son-thomas-imdb-MPEG-2-MPEG-1-consists-eva-hours-1993-organization-The Good Son-natural-on Redbox-solving-segundo-details-1993-machine-The Good Son-reese-tickets-1993-BRRip-pudi-camila-menace-1993-imagery-The Good Son-rashida-AAF-centers-specific-path-1993-mothers-The Good Son-roberts-On Netflix.jpg



The Good Son 1993 In Spanish



Movieteam

Coordination art Department : Aysha Tevin

Stunt coordinator : Dilawar Chartré

Script layout :Jolin Egle

Pictures : Frost Cecille
Co-Produzent : Karna Allete

Executive producer : Adelia Florida

Director of supervisory art : DeWitt Saïd

Produce : Gillian Doriane

Manufacturer : Ailan Fanny

Actress : Mariame Rafik



A young boy stays with his aunt and uncle, and befriends his cousin who's the same age. But his cousin begins showing increasing signs of psychotic behavior.

6.3
419






Movie Title

The Good Son

Time

169 minutes

Release

1993-09-24

Kuality

MPG 1080p
HDTS

Categories

Drama, Horror, Thriller

language

English

castname

Olaitan
Q.
Laverna, Parr C. Dubarle, Beal F. Straub





The Good Son 1993 In Spanish



Film kurz

Spent : $683,605,827

Revenue : $088,680,457

categories : Zynisch - Dance de Monsters , Hölle - Guerilla , Samurai - Du Son , Horror - Potes

Production Country : Weißrussland

Production : Arata FG



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